Documentary Review: The Road to Vrindavan

Entertaining while ‘engendering’ a vital debate about education.

The time limited link to watch this documentary is here:

Previous portrayals of the poor, street, and slum, life of places like Bombay as depicted in Shantaram, the 2003 novel by Gregory David Roberts, and perhaps like the novel itself, first appeared as an illuminating western perspective until it became quite obviously incredulous and lacking genuine context, even for fiction. The welfare of India’s poorest young girls is a topic the west and east have little discussed but still mostly disagreed upon.

This was most notable perhaps when the late polemicist Christopher Hitchens published his book “The Missionary Position: Mother Teresa in Theory and Practice” in which Hitch criticized her efforts to alleviate the suffering of Calcutta’s poor and claimed, outside his assessment of her character, that those efforts since based in religious dogma and motives, ensured that the wretched situation there was actually compounded by such interference. Hitch went on to explain that the one thing that has positively changed life outcomes for poor young women is ensuring that they have sovereignty over their own bodies. The long and arduous route to that societal shift in the subcontinent of India must obviously traverse education.

A snatched still from a single moment of the journey in the documentary.

The Road to Vrindavan begins with its creator Ravi Chambers understanding that immersing himself in even the planning of the central arduous journey at the centre of the film may somehow echo his previous unintended exclusion of those most dear and closest to him, as he acknowledges the effects on others of his other journey to Vrindavan as a Hare Krsna monk twenty years previously.

Jeff Gomez has in recent years articulated the shift from Campbell’s heroic journey to concepts around shared storytelling, the collaborative creation of story universes to inclusive, transmedia, and an expansive equality inspired ‘collective journey’ this very personal documentary film by necessity requires a sort of simpler immersion in the individual threads of our collective imagination.

Interviewees along Ravi’s fund raising and fact finding journey introduce terms like ‘significant importance’ and ‘authentic’ with respect to Indian Culture, Indian Tradition, and the defined roles assigned to men and women in their society. Ravi conducts his interviews with a forthright sensitivity and perhaps because of the subject matter, the obvious emotional, intellectual, physical, and maybe spiritual investments he’s making in this documentary this ensures it becomes a rich tapestry of all these elements, from the natural splendour of the countryside to the sprawling human hubbub of various urban spaces, to fresh faces of young girls each of whom has her own individual special story, the vibrancy of colour, the texture of personality and ultimately the exploration of possibility.

Just as with the ideas within it, the film itself expands its intellectual, theoretical, and ultimately sociological breath to broaden the question beyond simply the education of young girls, it does so without ever resorting to becoming academic or abstract, issues with inheriting the wisdom within tradition, societal evolution without inherently damaged historicity swamping progress, become developing backdrops to the imperative questioning at the centre of the documentary.

Here I must confess my personal connection to this story as I am a long time family friend of Ravi’s parents, but this story while about cultural, societal, gender, community, and broader questions, is ultimately about these personal stories, and the relationships between them, it is about men and women, parents and their children, what is acceptable to us as individuals and as parts of our communities, what are our responsibilities to each?

The Road to Vrindavan is a timely and very well produced reminder about individual and collective bravery, gender roles, rights, and gender sensitization at a time when violence against women is on the National agenda in India. Unlike that book Shantaram, the truth and authenticity of ‘The Road to Vrindavan’ increase as the documentary itself evolves, ‘be inspired films’ has delivered a film really worth watching and certainly a documentary very much worth discussing. Go watch it and Enjoy…

Double Digit Trouble (1st Draft)

Happy New Year, bye bye double digit 2020…
Edited Version..

Two fingers to this year 2020
When my loving mother passed
And all that economic talk of plenty
was exposed as rich men’s lies at last
our fifth world war, after drugs and terrorism,
became a virus of normal people’s frontline heroism
politicians proved their lack of worth, dumb death 
of wisdom
disinformed, cerebral malnutrition from a spin filled 
kingdom
we the people look to each other and our burning 
earth around us
that us, this we, these common people, locked down, 
look up only to see
that double digit trouble becomes our starting price
of being frank and free
fingered fear and trepidation visited upon each nation
as a global planning spree
of dumbing down, rising prices, complex processes 
reducing critical capacity
inconvenient truths dismissed, slandered silenced 
theories of silly conspiracy 
don’t fall for them vote for me, vote, vote often, 
believe you have a voice, a choice
between the corporations and my mini me, 
the nanny state supported on all fours
by those who set the ceilings and the floors, of wealth,
access, and growing successful fear
that keeps you near, believing friends or enemies 
among their economic rubble
but when you burst that bubble, 
only then begins their real double digit trouble

I am starting to write a regular newsletter which is (hard to believe I know) more opinionated, considers more topics than presented here, in hopefully more detail with additional links of interest and references, that is if enough people sign up to it.. its about all sorts of stuff.. so I’ve called it:

Stuffafizing

https://clevercelt.substack.com/p/coming-soon?

Write away right away………… My 21+ thoughts on writing in 2021 Ireland.

Disclaimer: Beware all proclaimed experts and advisers, like the three arriving above,
rumored to be Irish government advisers developing arts council policies.

If you want to make money writing, then write computer code.

If you wish to explore your humanity write poetry.

If you’d like to network in the writing world write short stories.

If you really want to destroy your writing soul, why not try crafting literary essays.

If you want to seek specific career advancement write academic material.

If you want to pursue your dreams write print novels.

If you want to connect, write journalism.

If you want to make enemies write reviews.

If you want to make films write screenplays.

If you want to make lingering mistakes write spiritual literature.

If you enjoy emotional purgatory write brand communications.

If you want to tackle social or societal issues write plays.

If you want to be helpful write manuals.

If you want to be accommodating write invited articles.

If you want to waste your valuable time and energy write a blog.

If you want to be depressed write comedy.

If you want to go into deep financial debt write computer games.

If you subconsciously crave creative obscurity write digital literature.

If you want to create value write business plans.

If you want to be a writer, read everyone and anyone who calls themselves a writer.

If you really want to be a writer, write anywhere, on anything, anytime.

If you want to be an original writer prepare for poverty.

If you want to be a popular writer befriend other writers, particularly those you don’t like.

If you want to be a truthful writer live freely inside and outside your writing.

If you want to be a successful writer, write, write a lot, and then get an agent.

If you knew you wanted to be a writer aged 12 years old start saving ‘therapy money‘.

If you regard writing as an art rather than a craft buy a paintbrush.

If secluded daily writing excites you, try writing curricula.

If you really want to be ‘just a writer’ then write away right away.

If you’ve read down this far, you’ve reached point 30 and already know you know but were just checking in.. just in case…

I am starting to write a regular newsletter which is (hard to believe I know) more opinionated, considers more topics than presented here, in hopefully more detail with additional links of interest and references, that is if enough people sign up to it.. its about all sorts of stuff.. so I’ve called it:

Stuffafizing

https://clevercelt.substack.com/p/coming-soon?

Nobody Knows Anything ? Imagine that ‘homo humbleless..

William Goldman famously informed Hollywood of this fact in his autobiographical guide to the movie business “Adventures in the Screen Trade“. Every writer is aware of that fact even if it serves only as an emotional rejection safety net. Scientists know this also…

First line Quote from Bantam Books edition 1988..

which is perhaps why there is such emphasis on reproducibility of results when it comes to theories, theorems, where proofs are essential for truth. The need to know is the need to have proof. I have proven, on many occasions that knowing a lot, however large that specific lot may initially seem to some, even relative to other smaller lots, is still infinitesimal if not entirely negligible when compared to what might be known. This being just one true reason why I’m often surprised and shocked at the lack of genuine humility shown by ‘homo humbleless’ i.e. certain academics, writers, business people, and artists. Human ego certainly appears to be one of the most destructive and unforgiving forces on our planet, fueled with these little pools of individual knowledge it’s an utter disaster for those unfortunate to encounter them.

“A Little Knowledge Is A Dangerous Thing”

Alexander Pope.. An essay on criticism..

As children our imagination and curiosity drive us to discover more about the world, in my own case it was taking all sorts of things apart, making stages, sets, and theaters from cardboard boxes, using such bits and pieces to create shows and epic linoleum kitchen floor performances for the captive audience of two older grandaunts and a very proud mother. When we grow up so many of us lose that ability to openly experiment in a non self aware way. Our society, despite what social media tries to say, does not suffer such fools gladly, and often being foolish is a true route to creative discovery and imagination.

When someone tells us new truths old books contain, that childish sagacity we once possessed can be driven from us by such convention.

‘Imagination is more powerful than knowledge’ is a quote attributed to Einstein, in my own limited view imagination is an under investigated human phenomenon, some years ago I read Anne Balsamo’s Designing Culture: the technological imagination at work, my own wip print book could quite easily be sub tilted / log lined as ‘the technical imagination at play’.

The difficulty with reaching an end with life long formal education, having experienced it’s primary versions reject me in my earlier life, is the actual perceived worth and value of that formal, formalized and institutional variety of education, learning by earning (or paying for) bits of exclusive institutional paper loses it’s sheen and relevance, particularly when so many of it’s corporatized advocates themselves belong to ‘homo humbleless.’

I lost my thinking, writing out loud (Louth) space when my old website was wiped, I am only reviving my mechanism of public meandering and web rumination. I am looking forward to getting back to making some art, digital art and all sorts of stuff I can only imagine.

Thee only Constant: Change.

Bye Bye old me and old my 40K+ views of my top post ‘google to send me back to that educational blackboard’.

Anything really changed in these last twelve or twenty years ?

Losing all those words, hours, days, was compounded further by the loss of so many original images and artworks, coded stuff, etc, I created. I have always been entirely independent thus my work wasn’t really stored anywhere else. That was my choice.

Thankfully the wayback machine did start storing flash data approximately five years after i originally made the clevercelt website (1996). But that site was under constant spam attacks and I rebuilt it (before losing it) at least eight times in those 25+years.

I will continue to search through older retired and replaced hard drives and see if I can find some of that older work of mine. My old website’s creative technology, technological creativity log line preceded the recognition of the role of a ‘creative technologist’, and just as with save and save often, or comment your code, creative basics got lost in those must and should do moments. Taking our own advice is often something overlooked.